Press

“Grossman’s mezzo arias added dimension and depth to the oratorio. They also showcased the versatility of her voice, her musicality, and her gift for communicating lyrics. Her phrasing and expressiveness drew the audience into opening lines of “But who may abide.” As the music sped up for the line “he is like refiner’s fire” her tone became more fiery, and her voice glided over each run with flawless technique. Grossman’s most captivating aria was “He was despised,” which she delivered with passion and sensitivity. The words “despised” and “rejected” were given the appropriate weight and meaning, and her flawless execution of the vocal ornaments served the overall tragic message of the aria.” —Utah Arts Review